Eating Shakespeare
Eating Shakespeare
The volume uniquely establishes and implements a conceptual model inspired by non-European thought, thereby confronting a central concern in the field of Global Shakespeare: the issue of Europe operating as a geographical and cultural `centre' that still dominates the study of Shakespearean translations and adaptations from a `periphery' of world-wide localities. With its origins in 20th-century Brazilian modernism, the concept of `Cultural Anthropophagy' is advanced by the authors as an original methodology within the field currently understood as `Global Shakespeare'. Through a broad range of examples drawn from theatre, film and education, and from both within Brazil and beyond, the volume offers illuminating perspectives on what Global Shakespeare may mean today.
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The volume uniquely establishes and implements a conceptual model inspired by non-European thought, thereby confronting a central concern in the field of Global Shakespeare: the issue of Europe operating as a geographical and cultural `centre' that still dominates the study of Shakespearean translations and adaptations from a `periphery' of world-wide localities. With its origins in 20th-century Brazilian modernism, the concept of `Cultural Anthropophagy' is advanced by the authors as an original methodology within the field currently understood as `Global Shakespeare'. Through a broad range of examples drawn from theatre, film and education, and from both within Brazil and beyond, the volume offers illuminating perspectives on what Global Shakespeare may mean today.
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