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Theoretical Anxiety and Design Strategies in the Work of Eig

4.07

237.15  Lei 279  Lei

sau 23715 de puncte. Detalii.

Livrare in 25 zile lucratoare

Cod: BRT9780262134439

An aparitie: 2004

Autor: Moneo

Categoria: Art History

Data aparitie: 28012005

Editie: cartonata

Editura: MIT University Press Group Ltd

Format: 212 x 180 x 42 mm

Limba: English

Nr. pagini: 416

Tip: Hardback



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A prominent architect considers his contemporaries-James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and Herzog & De Meuron-in a lavishly illustrated series of profiles.

The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book, he looks at eight of his contemporaries-all architects of international stature-and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects-James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron-has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. More than 500 illustrations accompany the text.

Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the "tacit treatises" that can be found on the shelves of a university library, but lively encounters of architectural equals.

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