How to Be Happy

Eleanor Davis'sHow to be Happy is the artist's first collection of graphic/literary short stories. Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such curatorial venues as Mome and No-Brow, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills -- sketchy drawing, polished pen and ink line work, and meticulously designed full color painted panels-- which are always in the service of a narrative that builds to a quietly devastating climax.Named one of NPR's and Publishers Weekly's Best Books of 2014.Shortlist, Slate's 2014 Cartoonist Studio Prize for Best Print Comic of the Year2015 Ignatz Award Winner: Outstanding Anthology or Collection

Eleanor Davis'sHow to be Happy is the artist's first collection of graphic/literary short stories. Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such curatorial venues as Mome and No-Brow, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills -- sketchy drawing, polished pen and ink line work, and meticulously designed full color painted panels-- which are always in the service of a narrative that builds to a quietly devastating climax.Named one of NPR's and Publishers Weekly's Best Books of 2014.Shortlist, Slate's 2014 Cartoonist Studio Prize for Best Print Comic of the Year2015 Ignatz Award Winner: Outstanding Anthology or Collection

Eleanor Davis'sHow to be Happy is the artist's first collection of graphic/literary short stories. Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such curatorial venues as Mome and No-Brow, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows th