Ce tip de tensiune dramatică propune această carte?
Cartea propune o tensiune dramatică de natură psihologică, centrată pe procesul de reinventare și pe confruntarea cu impasul și trauma, într-un context descris ca fiind "emotionally-devastating".
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- The autopsy of a dream - Georgiana Oana Gabor
The autopsy of a dream
The autopsy of a dream
The autopsy of a dream. About How we construct worlds with our words
The drama inherent to the condition of the intellectual nowadays is apparent throughout the discursive autopsy that I performed. In ways that were inconceivable before, the academic world changes its face to become another. The mask - the symbol of the time which my essay makes reference to, the time of the SarsCov2 pandemic - takes all possible forms and eventually eliminates the possibility of the state-of-unhid-denness (Gr., aletheia, meaning, "truth"). How do we find a way out of this particular deadlock? How do we evade from the drama or the trauma (they say any untold story may become a trauma)? How do we survive? How do we heal? How do we get rid of the mask? How do we (re)invent authenticity?
The drama inherent to the condition of the intellectual nowadays is apparent throughout the discursive autopsy that I performed. In ways that were inconceivable before, the academic world changes its face to become another. The mask - the symbol of the time which my essay makes reference to, the time of the SarsCov2 pandemic - takes all possible forms and eventually eliminates the possibility of the state-of-unhid-denness (Gr., aletheia, meaning, "truth"). How do we find a way out of this particular deadlock? How do we evade from the drama or the trauma (they say any untold story may become a trauma)? How do we survive? How do we heal? How do we get rid of the mask? How do we (re)invent authenticity?
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The autopsy of a dream. About How we construct worlds with our words
The drama inherent to the condition of the intellectual nowadays is apparent throughout the discursive autopsy that I performed. In ways that were inconceivable before, the academic world changes its face to become another. The mask - the symbol of the time which my essay makes reference to, the time of the SarsCov2 pandemic - takes all possible forms and eventually eliminates the possibility of the state-of-unhid-denness (Gr., aletheia, meaning, "truth"). How do we find a way out of this particular deadlock? How do we evade from the drama or the trauma (they say any untold story may become a trauma)? How do we survive? How do we heal? How do we get rid of the mask? How do we (re)invent authenticity?
The drama inherent to the condition of the intellectual nowadays is apparent throughout the discursive autopsy that I performed. In ways that were inconceivable before, the academic world changes its face to become another. The mask - the symbol of the time which my essay makes reference to, the time of the SarsCov2 pandemic - takes all possible forms and eventually eliminates the possibility of the state-of-unhid-denness (Gr., aletheia, meaning, "truth"). How do we find a way out of this particular deadlock? How do we evade from the drama or the trauma (they say any untold story may become a trauma)? How do we survive? How do we heal? How do we get rid of the mask? How do we (re)invent authenticity?
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