Freyr: The Origins and History of the Norse God of Love and Fertility
Freyr: The Origins and History of the Norse God of Love and Fertility
*Includes pictures
*Includes Norse accounts
*Includes online resources and a bibliography for further reading
"Njördr in Nóatún begot afterward two children: the son was called Freyr, and the daughter Freyja; they were fair of face and mighty. Freyr is the most renowned of the sir; he rules over the rain and the shining of the sun, and therewithal the fruit of the earth; and it is good to call on him for fruitful seasons and peace."
Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. In fact, in all Scandinavian countries well into the thirteenth century laws were memorized by officials known as "Lawspeakers" who recited them at the "Thing." The Thing was the legislative assembly in Scandinavia "held for judicial purposes."
The Prose Edda is a collection of Norse Myths split into three sections, the Gylfaginning (the Deluding of Gylfi), the Skáldskaparmál (the Language of Poetry) and the Háttatal (the Enumeration of Meters). The first has a frame story that entails a Swedish King, Gylfi, disguising himself as an old man, Gangleri, when he journeys to Asgard to meet the gods. When he arrives, he meets three men - "High One, Just-As-High, and Third" - who reveal to him stories of the world and the gods. The second section contains a warning for Christians not to believe in the Norse gods, specifically the two families, the sir and the Vanir, but also refutes the notion that they were demons, which was a common supposition among some Christians at the time. The Prose Edda begins in this line of thought with a euhemeristic prologue, which traces the history of the Norse Gods as human heroes of Troy, making Thor one of King Priam's sons.
The Norse Myths also appear to follow a chronological narrative, which the historian John Lindow describes as having a "Mythical Past, Present and Future." Loki features in each of these literary "epochs" and it helps to understand the complexity of his character, as well as the belief system, to view the myths in this way.
Freyr was son to sea-god Njördr and twin brother to love goddess Freyja, all of whom were part of the Vanir, a less warlike, divine family. As part of a hostage exchange between warring families, Njördr and Freyr were sent to live with the sir. As a member of the Vanir, his integration into the w
*Includes Norse accounts
*Includes online resources and a bibliography for further reading
"Njördr in Nóatún begot afterward two children: the son was called Freyr, and the daughter Freyja; they were fair of face and mighty. Freyr is the most renowned of the sir; he rules over the rain and the shining of the sun, and therewithal the fruit of the earth; and it is good to call on him for fruitful seasons and peace."
Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. In fact, in all Scandinavian countries well into the thirteenth century laws were memorized by officials known as "Lawspeakers" who recited them at the "Thing." The Thing was the legislative assembly in Scandinavia "held for judicial purposes."
The Prose Edda is a collection of Norse Myths split into three sections, the Gylfaginning (the Deluding of Gylfi), the Skáldskaparmál (the Language of Poetry) and the Háttatal (the Enumeration of Meters). The first has a frame story that entails a Swedish King, Gylfi, disguising himself as an old man, Gangleri, when he journeys to Asgard to meet the gods. When he arrives, he meets three men - "High One, Just-As-High, and Third" - who reveal to him stories of the world and the gods. The second section contains a warning for Christians not to believe in the Norse gods, specifically the two families, the sir and the Vanir, but also refutes the notion that they were demons, which was a common supposition among some Christians at the time. The Prose Edda begins in this line of thought with a euhemeristic prologue, which traces the history of the Norse Gods as human heroes of Troy, making Thor one of King Priam's sons.
The Norse Myths also appear to follow a chronological narrative, which the historian John Lindow describes as having a "Mythical Past, Present and Future." Loki features in each of these literary "epochs" and it helps to understand the complexity of his character, as well as the belief system, to view the myths in this way.
Freyr was son to sea-god Njördr and twin brother to love goddess Freyja, all of whom were part of the Vanir, a less warlike, divine family. As part of a hostage exchange between warring families, Njördr and Freyr were sent to live with the sir. As a member of the Vanir, his integration into the w
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*Includes pictures
*Includes Norse accounts
*Includes online resources and a bibliography for further reading
"Njördr in Nóatún begot afterward two children: the son was called Freyr, and the daughter Freyja; they were fair of face and mighty. Freyr is the most renowned of the sir; he rules over the rain and the shining of the sun, and therewithal the fruit of the earth; and it is good to call on him for fruitful seasons and peace."
Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. In fact, in all Scandinavian countries well into the thirteenth century laws were memorized by officials known as "Lawspeakers" who recited them at the "Thing." The Thing was the legislative assembly in Scandinavia "held for judicial purposes."
The Prose Edda is a collection of Norse Myths split into three sections, the Gylfaginning (the Deluding of Gylfi), the Skáldskaparmál (the Language of Poetry) and the Háttatal (the Enumeration of Meters). The first has a frame story that entails a Swedish King, Gylfi, disguising himself as an old man, Gangleri, when he journeys to Asgard to meet the gods. When he arrives, he meets three men - "High One, Just-As-High, and Third" - who reveal to him stories of the world and the gods. The second section contains a warning for Christians not to believe in the Norse gods, specifically the two families, the sir and the Vanir, but also refutes the notion that they were demons, which was a common supposition among some Christians at the time. The Prose Edda begins in this line of thought with a euhemeristic prologue, which traces the history of the Norse Gods as human heroes of Troy, making Thor one of King Priam's sons.
The Norse Myths also appear to follow a chronological narrative, which the historian John Lindow describes as having a "Mythical Past, Present and Future." Loki features in each of these literary "epochs" and it helps to understand the complexity of his character, as well as the belief system, to view the myths in this way.
Freyr was son to sea-god Njördr and twin brother to love goddess Freyja, all of whom were part of the Vanir, a less warlike, divine family. As part of a hostage exchange between warring families, Njördr and Freyr were sent to live with the sir. As a member of the Vanir, his integration into the w
*Includes Norse accounts
*Includes online resources and a bibliography for further reading
"Njördr in Nóatún begot afterward two children: the son was called Freyr, and the daughter Freyja; they were fair of face and mighty. Freyr is the most renowned of the sir; he rules over the rain and the shining of the sun, and therewithal the fruit of the earth; and it is good to call on him for fruitful seasons and peace."
Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. In fact, in all Scandinavian countries well into the thirteenth century laws were memorized by officials known as "Lawspeakers" who recited them at the "Thing." The Thing was the legislative assembly in Scandinavia "held for judicial purposes."
The Prose Edda is a collection of Norse Myths split into three sections, the Gylfaginning (the Deluding of Gylfi), the Skáldskaparmál (the Language of Poetry) and the Háttatal (the Enumeration of Meters). The first has a frame story that entails a Swedish King, Gylfi, disguising himself as an old man, Gangleri, when he journeys to Asgard to meet the gods. When he arrives, he meets three men - "High One, Just-As-High, and Third" - who reveal to him stories of the world and the gods. The second section contains a warning for Christians not to believe in the Norse gods, specifically the two families, the sir and the Vanir, but also refutes the notion that they were demons, which was a common supposition among some Christians at the time. The Prose Edda begins in this line of thought with a euhemeristic prologue, which traces the history of the Norse Gods as human heroes of Troy, making Thor one of King Priam's sons.
The Norse Myths also appear to follow a chronological narrative, which the historian John Lindow describes as having a "Mythical Past, Present and Future." Loki features in each of these literary "epochs" and it helps to understand the complexity of his character, as well as the belief system, to view the myths in this way.
Freyr was son to sea-god Njördr and twin brother to love goddess Freyja, all of whom were part of the Vanir, a less warlike, divine family. As part of a hostage exchange between warring families, Njördr and Freyr were sent to live with the sir. As a member of the Vanir, his integration into the w
