Countless scholars have tried to define the charm of the Alice books--with those wonderfully eccentric characters the Queen of Hearts, Tweedledum, and Tweedledee, the Cheshire Cat, Mock Turtle, the Mad Hatter et al.--by proclaiming that they really comprise a satire on language, a political allegory, a parody of Victorian children's literature, even a reflection of contemporary ecclesiastical history.

Perhaps, as Dodgson might have said, Alice is no more than a dream, a fairy tale about the trials and tribulations of growing up--or down, or all turned round--as seen through the expert eyes of a child.