Using these stories, I have attempted to portray the Mediterranean world of late antiquity, and particularly the conflicts between the remaining Roman Empire at Constantinople, their chronic Arab enemies in Africa and Asia, and a Venice led by a merchant class attempting to build a new empire based on trading with both. There are twenty substantial characters propelling the plot, men and women of various ages and ethnicities, with different attitudes towards slavery, political allegiances and issues of religious faith, particularly the then prevalent obsession with relics.
The Voyage Of The Evangelist
The Voyage Of The Evangelist
Using these stories, I have attempted to portray the Mediterranean world of late antiquity, and particularly the conflicts between the remaining Roman Empire at Constantinople, their chronic Arab enemies in Africa and Asia, and a Venice led by a merchant class attempting to build a new empire based on trading with both. There are twenty substantial characters propelling the plot, men and women of various ages and ethnicities, with different attitudes towards slavery, political allegiances and issues of religious faith, particularly the then prevalent obsession with relics.
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Using these stories, I have attempted to portray the Mediterranean world of late antiquity, and particularly the conflicts between the remaining Roman Empire at Constantinople, their chronic Arab enemies in Africa and Asia, and a Venice led by a merchant class attempting to build a new empire based on trading with both. There are twenty substantial characters propelling the plot, men and women of various ages and ethnicities, with different attitudes towards slavery, political allegiances and issues of religious faith, particularly the then prevalent obsession with relics.
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