headerdesktop weekendcopii29mai26

MAI SUNT 00:00:00:00

MAI SUNT

X

headermobile weekendcopii29mai26

MAI SUNT 00:00:00:00

MAI SUNT

X

Transport Gratuit la peste 50 lei

Promotii popup img

Câștigă un iPad mini 📱

Transport GRATUIT peste 50 lei

-20% și -80% la cărțile pentru copii și YA

Intră în concurs »

Transport Gratuit la peste 50 lei

Yayoi Kusama: Present Infinite

De (autor): Yayoi Kusama

Coperta cărții 'Yayoi Kusama: Present Infinite - Yayoi Kusama'
Yayoi Kusama: Present Infinite

De (autor): Yayoi Kusama

In celebration of one of Kusama's most iconic infinity rooms

Japanese artist Yayoi Kusama is known worldwide for her polka dots and colorful, immersive light installations featuring unusual and organic forms, such as pumpkins. Present Infinite is a tribute to her beloved and singular practice, with a particular focus on Fireflies on the Water (2002), one of her most famous Infinity Mirror Rooms from the collection of the Whitney Museum of American Art in New York. Fireflies on the Water is a room-sized installation where, as the title suggests, the lights seem almost natural, like fireflies on a quiet summer's night. The pool of water creates an incredible sense of stillness and the mirrors reflect never-ending images of themselves, creating a sidereal ambience. Space appears infinite, without top or bottom, beginning or end. As in Yayoi Kusama's early installations, including her Infinity Mirror Room (1965), Fireflies on the Water embodies an almost hallucinatory approach to reality.
Yayoi Kusama (born 1929) has worked not only in sculpture and installation but also painting, performance, video art, fashion, poetry, fiction and other arts. In her early career in Japan, she produced mostly works on paper. With her late-1950s move to New York City, she joined the ranks of the avant-garde, working in soft sculpture and influencing the likes of Warhol and Oldenburg. At this time, she was also involved with happenings and other performance-oriented works and began to deploy her signature dots. Her work fell into relative obscurity after her return to Japan in 1973, but a subsequent revival of interest in the 1980s elevated her work to the canonical status that it still enjoys today.

Citește mai mult

-10%

transport gratuit

PRP: 279.00 Lei

!

Acesta este Prețul Recomandat de Producător. Prețul de vânzare al produsului este afișat mai jos.

251.10Lei

251.10Lei

279.00 Lei

Primești 251 puncte

Important icon msg

Primești puncte de fidelitate după fiecare comandă! 100 puncte de fidelitate reprezintă 1 leu. Folosește-le la viitoarele achiziții!

Livrare in 2-4 saptamani

Descrierea produsului

In celebration of one of Kusama's most iconic infinity rooms

Japanese artist Yayoi Kusama is known worldwide for her polka dots and colorful, immersive light installations featuring unusual and organic forms, such as pumpkins. Present Infinite is a tribute to her beloved and singular practice, with a particular focus on Fireflies on the Water (2002), one of her most famous Infinity Mirror Rooms from the collection of the Whitney Museum of American Art in New York. Fireflies on the Water is a room-sized installation where, as the title suggests, the lights seem almost natural, like fireflies on a quiet summer's night. The pool of water creates an incredible sense of stillness and the mirrors reflect never-ending images of themselves, creating a sidereal ambience. Space appears infinite, without top or bottom, beginning or end. As in Yayoi Kusama's early installations, including her Infinity Mirror Room (1965), Fireflies on the Water embodies an almost hallucinatory approach to reality.
Yayoi Kusama (born 1929) has worked not only in sculpture and installation but also painting, performance, video art, fashion, poetry, fiction and other arts. In her early career in Japan, she produced mostly works on paper. With her late-1950s move to New York City, she joined the ranks of the avant-garde, working in soft sculpture and influencing the likes of Warhol and Oldenburg. At this time, she was also involved with happenings and other performance-oriented works and began to deploy her signature dots. Her work fell into relative obscurity after her return to Japan in 1973, but a subsequent revival of interest in the 1980s elevated her work to the canonical status that it still enjoys today.

Citește mai mult

S-ar putea să-ți placă și

De același autor

Părerea ta e inspirație pentru comunitatea Libris!

Istoricul tău de navigare

Acum se comandă

Noi suntem despre cărți, și la fel este și

Newsletter-ul nostru.

Abonează-te la veștile literare și primești un cupon de EXTRA -10% pentru viitoarea ta comandă!

Mă abonez image one
Mă abonez image one
Accessibility Logo