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CD Greece my love

5

15  Lei

sau 1500 de puncte. Detalii.

In stoc

Cod: 90306CDEUR

An aparitie: 2018

Autor: Grecia

Categoria: Muzica Traditiona

Format: CD

Nr melodii: 14

Nume: Greece my love

Producator: EUROSTAR



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Transport Gratuit peste 90 de lei
Puncte de fidelitate
30 de Zile Drept de Retur
 

1. Ftou xelefteria
2. Matia san ke ta dika soy/Psaropoyla
3. Triapedia/Ta petalakia
4. Mastro vassilis instrumental
5. Vrochi sta matia
6. Kritikopoula
7. Mes stis polis to hamam
8. A trip with Alexandra
9. M'ena tsigaro
10. Patridamou orea
11. Prosopa byzantina
12. Near the sea
13. Lianohortaroudia
14. Zorba the greek

Livrarea se face din stoc din depozitul de carte Libris, in zilele lucratoare. Transportul este gratuit prin curier rapid, oriunde in Romania, pentru orice comanda de minimum 90 de lei. Pentru orice solicitare apelati call center-ul Libris de luni pana vineri intre orele 8-20.

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Rating general al produsului
5 (8 review-uri)

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Review-uri
miticaalburica 11/17/2020
Spiritul este găselnița materiei.
Destinul este acea parte din timp în care istoria își imprimă voința ei asupra noastră. De aceea trebuie să-i rezistăm, să fugim de el, să ne refugiem în Spectacol.
marianaganea 10/27/2020
Cine ştie carte are patru ochi.
Beţia e nebunie cu voia.
Tot copacul de la rădăcină se usucă, dar întâi crengile se văd uscate.
Amânarea e hoţul timpului.
Omul înţelept face ce poate, nu ce vrea.

calexandra89 08/31/2020
Muzica exprima ceea ce nu se poate spune in cuvinte si despre care nu se poate tace.

NostisParanoia 08/07/2020
Opera did not remain confined to court audiences for long. In 1637, the idea of a "season" (often during the carnival) of publicly attended operas supported by ticket sales emerged in Venice. Monteverdi had moved to the city from Mantua and composed his last operas, Il ritorno d'Ulisse in patria and L'incoronazione di Poppea, for the Venetian theatre in the 1640s. His most important follower Francesco Cavalli helped spread opera throughout Italy. In these early Baroque operas, broad comedy was blended with tragic elements in a mix that jarred some educated sensibilities, sparking the first of opera's many reform movements, sponsored by the Arcadian Academy, which came to be associated with the poet Metastasio, whose libretti helped crystallize the genre of opera seria, which became the leading form of Italian opera until the end of the 18th century. Once the Metastasian ideal had been firmly established, comedy in Baroque-era opera was reserved for what came to be called opera buffa. Before such elements were forced out of opera seria, many libretti had featured a separately unfolding comic plot as sort of an "opera-within-an-opera". One reason for this was an attempt to attract members of the growing merchant class, newly wealthy, but still not as cultured as the nobility, to the public opera houses. These separate plots were almost immediately resurrected in a separately developing tradition that partly derived from the commedia dell'arte, a long-flourishing improvisatory stage tradition of Italy. Just as intermedi had once been performed in between the acts of stage plays, operas in the new comic genre of "intermezzi", which developed largely in Naples in the 1710s and '20s, were initially staged during the intermissions of opera seria. They became so popular, however, that they were soon being offered as separate productions.

gheorghesimion 08/05/2020
Pot mărturisi personal că înţelepciunea înseamnă durere. Dacă durerea se adaugă la înţelepciune, atunci vreau să sufăr! – George Meredith
Unde este înţelepciunea lui Dumnezeu nu mai este nevoie de înţelepciunea oamenilor. – Ioan Gura de Aur

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