Conversations with the Brush is a wildly entertaining and inspirational journey into examining the question of how to become more creatively free and alive using intuitive painting and the expressive arts. It's also a deep investigation into the cultural attitudes, unquestioned beliefs and emotional patterns that get in the way of fully embracing that creative freedom and aliveness. It's a book of wisdom teachings about making art, trusting in your intuition and living a fully expressed creative life. To demonstrate these teachings it employs the time-honored tradition of story telling, based on actual conversations that the author has had between herself and her many students over the past twenty-five years of teaching. It also includes a deeper philosophical commentary on each of the stories that reflects upon the underlying creative issues that the stories bring to light and journal questions and creative prompts that allow the reader to engage with the stories as a psychological and spiritual inner-growth process in a more personally engaged and contemplative way.
A wide variety of principles and practices related to creativity and intuition are explored through these stories, questions and commentary.
One of the most important practices is learning how to identify and manage your inner critic when you create and to begin to identify the difference between the nitpicking and faultfinding voice of your judging mind and the joyful permission of your creative muse. Many of the stories provide potently powerful yet playful perspectives on what it means to let go of trying to be perfect and how to release your need to meet external standards for outer approval from others when it comes to making art.
Another essential principle is related to examining our need to be in control when we are creating in order to end up with a particular type of finished product. But this approach to painting and creativity is based on learning how to trust in our spontaneous creative expression and treat our creativity as a living force with a mind of its own. The stories give great examples of what it looks like to take creative risks, to paint without a plan and to begin to release our need to control our art and our life.
To create in this unique and unconventional way means to relinquish our allegiance to letting our minds always run the creative show. The core philosophy of this approach to painting and art-making is based on the idea that creativity lives