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Crash

Crash

Crash

The definitive cult, post-modern novel - a shocking blend of violence, transgression and eroticism - reissued with a new introduction from Zadie Smith.


When Ballard, our narrator, smashes his car into another and watches a man die in front of him, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, has gathered around him a collection of alienated crash victims and experiments with a series of auto-erotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash - a head-on collision of blood, semen, engine coolant and iconic celebrity.


First published in 1973 `Crash' remains one of the most shocking novels of the twentieth century and was made into an equally controversial film by David Cronenberg.


This edition is part of a new commemorative series of Ballard's works, featuring introductions from a number of his admirers (including Robert Macfarlane, Martin Amis, James Lever and Ali Smith) and brand-new cover designs from the artist Stanley Donwood.
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The definitive cult, post-modern novel - a shocking blend of violence, transgression and eroticism - reissued with a new introduction from Zadie Smith.


When Ballard, our narrator, smashes his car into another and watches a man die in front of him, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, has gathered around him a collection of alienated crash victims and experiments with a series of auto-erotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash - a head-on collision of blood, semen, engine coolant and iconic celebrity.


First published in 1973 `Crash' remains one of the most shocking novels of the twentieth century and was made into an equally controversial film by David Cronenberg.


This edition is part of a new commemorative series of Ballard's works, featuring introductions from a number of his admirers (including Robert Macfarlane, Martin Amis, James Lever and Ali Smith) and brand-new cover designs from the artist Stanley Donwood.
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