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Demystifying Bach at the Piano: Problem Solving in the Inventions and Sinfonias

Demystifying Bach at the Piano: Problem Solving in the Inventions and Sinfonias - Neil Stannard

Demystifying Bach at the Piano: Problem Solving in the Inventions and Sinfonias

Unlike life, playing the piano is easy and doesn't hurt. This mantra has carried the author through what might seem to others like several lifetimes-performing as a collaborative pianist, occasional soloist, symphony bassist and, through it all he has remained a dedicated teacher. He took part in the first Taubman Institute at Rensselaerville, New York, and though he does not represent the Institute, he participated in many subsequent institutes at Amherst College while studying piano privately in New York with Edna Golandsky, who showed him that there are no mysteries regarding piano technique. He has performed internationally with such artists as David Shifrin, Hermann Baumann, Eugenia Zukerman, Leona Mitchell, Clamma Dale and Christiane Edinger in venues from London to Moscow, including Carnegie Hall, the Kennedy Center, the White House, Vienna's Musikverein, Berlin's Hochschule and Tchaikovsky Hall in Moscow. He has played in the Great Performers at Lincoln Center series, the Berlin Festival, the Vienna Festival, Tage Neue Musik, Marlboro and the Newport Festival. His concertizing has taken him to every state in the contiguous United States. And yes, he has taught continuously. After graduating cum laude from the University of Southern California, a scholarship student of Muriel Kerr, Jacob Gimpel and John Crown, he accepted a Naumberg scholarship on double bass to the Juilliard School (M.S.), during which time he performed in the American Symphony with Leopold Stokowski (Columbia Records) and in the Marlboro Festival Orchestra with Pablo Casals (Columbia Records). It was also during this time that he made his New York recital debut at Carnegie Recital Hall as a pianist with violinist Christiane Edinger. Later, he studied piano on a German government grant with Gerhard Puchelt in Berlin, completed a doctorate in piano at the University of Arizona with Nicholas Zumbro and for thirteen years taught applied piano at the University of Texas at El Paso, where he was a tenured professor. He now teaches privately in Los Angeles, writes, paints, takes photos of the world around him and plays cello in the Santa Monica Symphony.
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Unlike life, playing the piano is easy and doesn't hurt. This mantra has carried the author through what might seem to others like several lifetimes-performing as a collaborative pianist, occasional soloist, symphony bassist and, through it all he has remained a dedicated teacher. He took part in the first Taubman Institute at Rensselaerville, New York, and though he does not represent the Institute, he participated in many subsequent institutes at Amherst College while studying piano privately in New York with Edna Golandsky, who showed him that there are no mysteries regarding piano technique. He has performed internationally with such artists as David Shifrin, Hermann Baumann, Eugenia Zukerman, Leona Mitchell, Clamma Dale and Christiane Edinger in venues from London to Moscow, including Carnegie Hall, the Kennedy Center, the White House, Vienna's Musikverein, Berlin's Hochschule and Tchaikovsky Hall in Moscow. He has played in the Great Performers at Lincoln Center series, the Berlin Festival, the Vienna Festival, Tage Neue Musik, Marlboro and the Newport Festival. His concertizing has taken him to every state in the contiguous United States. And yes, he has taught continuously. After graduating cum laude from the University of Southern California, a scholarship student of Muriel Kerr, Jacob Gimpel and John Crown, he accepted a Naumberg scholarship on double bass to the Juilliard School (M.S.), during which time he performed in the American Symphony with Leopold Stokowski (Columbia Records) and in the Marlboro Festival Orchestra with Pablo Casals (Columbia Records). It was also during this time that he made his New York recital debut at Carnegie Recital Hall as a pianist with violinist Christiane Edinger. Later, he studied piano on a German government grant with Gerhard Puchelt in Berlin, completed a doctorate in piano at the University of Arizona with Nicholas Zumbro and for thirteen years taught applied piano at the University of Texas at El Paso, where he was a tenured professor. He now teaches privately in Los Angeles, writes, paints, takes photos of the world around him and plays cello in the Santa Monica Symphony.
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