Don't Call Us Dead
Don't Call Us Dead
*WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2018*
*A Finalist for the National Book Award for Poetry 2017*
*A Financial Times and Telegraph Book of the Year 2018*
`[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy' The New Yorker
Award-winning poet Danez Smith is a ground-breaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and an HIV-positive diagnosis.
`Some of us are killed / in pieces,' Smith writes, `some of us all at once.' Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes an America where every day is too often a funeral and not often enough a miracle.
*A Finalist for the National Book Award for Poetry 2017*
*A Financial Times and Telegraph Book of the Year 2018*
`[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy' The New Yorker
Award-winning poet Danez Smith is a ground-breaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and an HIV-positive diagnosis.
`Some of us are killed / in pieces,' Smith writes, `some of us all at once.' Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes an America where every day is too often a funeral and not often enough a miracle.
PRP: 81.60 Lei
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73.44Lei
73.44Lei
81.60 LeiPrimesti 73 puncte
Livrare in 2-4 saptamani
Descrierea produsului
*WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2018*
*A Finalist for the National Book Award for Poetry 2017*
*A Financial Times and Telegraph Book of the Year 2018*
`[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy' The New Yorker
Award-winning poet Danez Smith is a ground-breaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and an HIV-positive diagnosis.
`Some of us are killed / in pieces,' Smith writes, `some of us all at once.' Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes an America where every day is too often a funeral and not often enough a miracle.
*A Finalist for the National Book Award for Poetry 2017*
*A Financial Times and Telegraph Book of the Year 2018*
`[Smith's] poems are enriched to the point of volatility, but they pay out, often, in sudden joy' The New Yorker
Award-winning poet Danez Smith is a ground-breaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and an HIV-positive diagnosis.
`Some of us are killed / in pieces,' Smith writes, `some of us all at once.' Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes an America where every day is too often a funeral and not often enough a miracle.
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