Fred Astaire and Ginger Rogers: The Story of Hollywood's Most Famous Dancers
Fred Astaire and Ginger Rogers: The Story of Hollywood's Most Famous Dancers
*Includes pictures of Astaire, Rogers, and other important people and scenes.
*Includes their quotes about each other.
*Includes a bibliography for further reading.
Virtually all famous actors are regaled by the public, but even still, Fred Astaire occupies a privileged position in American pop culture. The specific films in which Astaire acted may not be especially famous in their own right - most people likely cannot recall the title of Top Hat (1935), his most decorated film - but Astaire's dancing prowess invariably creates a lasting impact on viewers. Instead of tying his fame to a single film, Astaire's genius lay in constructing his star persona around a specific set of iconographic imagery that has become embedded within American culture. Across his films, the recurring iconic images of the top hat, cane, and coat tails, as well as the image of Astaire dancing with Ginger Rogers, all constitute a timeless symbol for elegance that continues to captivate viewers who are unfamiliar with the plots of his films. There have been other film musical actors who were proficient dancers, Gene Kelly chief among them, but none were able to perform with the seamless elegance of Astaire, and none have been remembered nearly as well.
Astaire's dancing numbers epitomized grace and gaiety, making it seem as though he was carefree, but this was hardly the case. While it is easy to imagine Astaire being raised in an aristocratic family, his working-class background was so blue collar that his family eventually relied on him and his sister as the primary breadwinners in the family. Rather than being born and raised with wealth in a large city, Astaire came from a working-class neighborhood in Omaha, Nebraska, a setting so antithetical to the world of dance that it quickly became clear that the family would need to relocate. If anything, Astaire's unglamorous origins further demonstrate that the magisterial dancing and the effortlessly elegant image accompanying it were products of Astaire's tireless work ethic and insistence on perfection.
Considering the immense success of their films together, it is entirely understandable that Astaire and Rogers are joined at the hip in the eyes of the public. However, an appreciation for the Fred and Ginger musicals is only enhanced by knowledge of the personal backgrounds of the two stars. After all, the fact remains that Astaire and Rogers came from vastly different cultural backgrounds, and at the tim
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*Includes pictures of Astaire, Rogers, and other important people and scenes.
*Includes their quotes about each other.
*Includes a bibliography for further reading.
Virtually all famous actors are regaled by the public, but even still, Fred Astaire occupies a privileged position in American pop culture. The specific films in which Astaire acted may not be especially famous in their own right - most people likely cannot recall the title of Top Hat (1935), his most decorated film - but Astaire's dancing prowess invariably creates a lasting impact on viewers. Instead of tying his fame to a single film, Astaire's genius lay in constructing his star persona around a specific set of iconographic imagery that has become embedded within American culture. Across his films, the recurring iconic images of the top hat, cane, and coat tails, as well as the image of Astaire dancing with Ginger Rogers, all constitute a timeless symbol for elegance that continues to captivate viewers who are unfamiliar with the plots of his films. There have been other film musical actors who were proficient dancers, Gene Kelly chief among them, but none were able to perform with the seamless elegance of Astaire, and none have been remembered nearly as well.
Astaire's dancing numbers epitomized grace and gaiety, making it seem as though he was carefree, but this was hardly the case. While it is easy to imagine Astaire being raised in an aristocratic family, his working-class background was so blue collar that his family eventually relied on him and his sister as the primary breadwinners in the family. Rather than being born and raised with wealth in a large city, Astaire came from a working-class neighborhood in Omaha, Nebraska, a setting so antithetical to the world of dance that it quickly became clear that the family would need to relocate. If anything, Astaire's unglamorous origins further demonstrate that the magisterial dancing and the effortlessly elegant image accompanying it were products of Astaire's tireless work ethic and insistence on perfection.
Considering the immense success of their films together, it is entirely understandable that Astaire and Rogers are joined at the hip in the eyes of the public. However, an appreciation for the Fred and Ginger musicals is only enhanced by knowledge of the personal backgrounds of the two stars. After all, the fact remains that Astaire and Rogers came from vastly different cultural backgrounds, and at the tim
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