Ghostroots: Stories
Ghostroots: Stories
'Pemi Aguda opens her collection of twelve stories with the chilling tale of a woman who uncannily resembles her sinister, deceased grandmother. When the woman shows a capacity for deadly violence, she wonders--can evil be genetic, passed from generation to generation?
Set in Lagos, Nigeria, Aguda's stories unfold against a spectral cityscape where the everyday business of living--the birth of a baby, a market visit, a conversation between mothers and daughters--is charged with an air of supernatural menace. In "Breastmilk" a new mother's inability to lactate takes on preternatural overtones. In "24, Alhaji Williams Street" a mysterious disease wreaks havoc with frightening precision. In "The Hollow," an architect stumbles on a vengeful house.
Evocative, strange, and yet familiar, "the speculative conceits of these stories are elegantly balanced with the gorgeous fullness of human emotion, all the hunger and longing and fear and delight of being a human in the world" (Lauren Groff).
In this beguiling collection of twelve imaginative stories set in Lagos, Nigeria, 'Pemi Aguda dramatizes the tension between our yearning to be individuals and the ways we are haunted by what came before.
In "Manifest," a woman sees the ghost of her abusive mother in her daughter's face. Shortly after, the daughter is overtaken by wicked and destructive impulses. In "Breastmilk," a wife forgives her husband for his infidelity. Months later, when she is unable to produce milk for her newborn, she blames herself for failing to uphold her mother's feminist values and doubts her fitness for motherhood. In "Things Boys Do," a trio of fathers finds something unnatural and unnerving about their infant sons. As their lives rapidly fall to pieces, they begin to fear that their sons are the cause of their troubles. And in "24, Alhaji Williams Street," a teenage boy lives in the shadow of a mysterious disease that's killing the boys on his street.
These and other stories in Ghostroots map emotional and physical worlds that lay bare the forces of family, myth, tradition, gender, and modernity in Nigerian society. Powered by a deep empathy and glinting with humor, they announce a major new literary talent.
PRP: 167.34 Lei
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150.61Lei
150.61Lei
167.34 LeiPrimești 150 puncte
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'Pemi Aguda opens her collection of twelve stories with the chilling tale of a woman who uncannily resembles her sinister, deceased grandmother. When the woman shows a capacity for deadly violence, she wonders--can evil be genetic, passed from generation to generation?
Set in Lagos, Nigeria, Aguda's stories unfold against a spectral cityscape where the everyday business of living--the birth of a baby, a market visit, a conversation between mothers and daughters--is charged with an air of supernatural menace. In "Breastmilk" a new mother's inability to lactate takes on preternatural overtones. In "24, Alhaji Williams Street" a mysterious disease wreaks havoc with frightening precision. In "The Hollow," an architect stumbles on a vengeful house.
Evocative, strange, and yet familiar, "the speculative conceits of these stories are elegantly balanced with the gorgeous fullness of human emotion, all the hunger and longing and fear and delight of being a human in the world" (Lauren Groff).
In this beguiling collection of twelve imaginative stories set in Lagos, Nigeria, 'Pemi Aguda dramatizes the tension between our yearning to be individuals and the ways we are haunted by what came before.
In "Manifest," a woman sees the ghost of her abusive mother in her daughter's face. Shortly after, the daughter is overtaken by wicked and destructive impulses. In "Breastmilk," a wife forgives her husband for his infidelity. Months later, when she is unable to produce milk for her newborn, she blames herself for failing to uphold her mother's feminist values and doubts her fitness for motherhood. In "Things Boys Do," a trio of fathers finds something unnatural and unnerving about their infant sons. As their lives rapidly fall to pieces, they begin to fear that their sons are the cause of their troubles. And in "24, Alhaji Williams Street," a teenage boy lives in the shadow of a mysterious disease that's killing the boys on his street.
These and other stories in Ghostroots map emotional and physical worlds that lay bare the forces of family, myth, tradition, gender, and modernity in Nigerian society. Powered by a deep empathy and glinting with humor, they announce a major new literary talent.
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