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Herstories in Graphic Design: Dialogue, Continuity, Self-Empowerment. Women Graphic Designers from 1880 Until Today / Dialoge, Kontinutitäten, Selbs

Herstories in Graphic Design: Dialogue, Continuity, Self-Empowerment. Women Graphic Designers from 1880 Until Today / Dialoge, Kontinutitäten, Selbs - Gerda Breuer

Herstories in Graphic Design: Dialogue, Continuity, Self-Empowerment. Women Graphic Designers from 1880 Until Today / Dialoge, Kontinutitäten, Selbs

Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch)

By and large, women have been left out of the history of graphic design. Yet if we look beyond the surface of this familiar account, what becomes clear is the influence women graphic designers have had on the discipline right from the start. The book shows how these women developed their own traditions, fostered dialogue and built connections between their designs, acted as role models, created networks, and proved their capacity for self-empowerment. Illuminating this struggle for professional recognition, Gerda Breuer highlights the collective formats women designers have used to enhance their own visibility, champion women's issues, and make a mark on the world.

Both little-known collectives and renowned graphic designers such as Lyubov Popova, Änne Koken, Ethel Reed, and Sarah Wyman Whitman contributed to the history of graphic design. Breuer's approach demonstrates the ways that women's important contributions been devalued, ignored, or relegated to the background--in short, made to disappear--in the narrative that is usually presented. In the context of contemporary challenges to the traditional canon of graphic design, integrating these contributions into design history is long overdue.

Design by Katja Lis, DBF Designbüro Frankfurt

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Bilingual edition (English/German) / Zweisprachige Ausgabe (deutsch/englisch)

By and large, women have been left out of the history of graphic design. Yet if we look beyond the surface of this familiar account, what becomes clear is the influence women graphic designers have had on the discipline right from the start. The book shows how these women developed their own traditions, fostered dialogue and built connections between their designs, acted as role models, created networks, and proved their capacity for self-empowerment. Illuminating this struggle for professional recognition, Gerda Breuer highlights the collective formats women designers have used to enhance their own visibility, champion women's issues, and make a mark on the world.

Both little-known collectives and renowned graphic designers such as Lyubov Popova, Änne Koken, Ethel Reed, and Sarah Wyman Whitman contributed to the history of graphic design. Breuer's approach demonstrates the ways that women's important contributions been devalued, ignored, or relegated to the background--in short, made to disappear--in the narrative that is usually presented. In the context of contemporary challenges to the traditional canon of graphic design, integrating these contributions into design history is long overdue.

Design by Katja Lis, DBF Designbüro Frankfurt

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