Marlene Dumas: Myths & Mortals
Marlene Dumas: Myths & Mortals
Myths & Mortals documents a selection of new paintings ranging from monumental nude figures to intimately scaled canvases that present details of bodily parts and facial features. Several nearly ten-foot-tall paintings focus on individual figures, including a number of male and female nudes and a seemingly solemn bride, whose expression is obscured behind a floor-length veil. The smaller-scale paintings--referred to by the artist as "erotic landscapes"--present a variety of fragmentary images: eyes, lips, nipples or lovers locked in a kiss.
Alongside these new paintings, Dumas presents an expansive series of 32 works on paper originally created for a Dutch translation of William Shakespeare's narrative poem "Venus & Adonis" (1593) by Hafid Bouazza. Myths & Mortals is accompanied by new scholarship on the artist by Claire Messud and a text by Dumas herself.
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Myths & Mortals documents a selection of new paintings ranging from monumental nude figures to intimately scaled canvases that present details of bodily parts and facial features. Several nearly ten-foot-tall paintings focus on individual figures, including a number of male and female nudes and a seemingly solemn bride, whose expression is obscured behind a floor-length veil. The smaller-scale paintings--referred to by the artist as "erotic landscapes"--present a variety of fragmentary images: eyes, lips, nipples or lovers locked in a kiss.
Alongside these new paintings, Dumas presents an expansive series of 32 works on paper originally created for a Dutch translation of William Shakespeare's narrative poem "Venus & Adonis" (1593) by Hafid Bouazza. Myths & Mortals is accompanied by new scholarship on the artist by Claire Messud and a text by Dumas herself.
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