Powder and Patch is a novel written by Georgette Heyer under the pen name Stella Martin. It was originally titled The Transformation of Philip Jettan when published by Mills & Boon in 1923. In 1930, the book was republished by William Heinemann minus the original last chapter as Powder and Patch.
Philip Jettan, a handsome and sturdy but tongue-tied youth, is rejected by his true love, Cleone because he is not foppish enough. He resolves to improve himself and travels to Paris, where he becomes a sensation. Once he returns, however, Cleone realizes she wants the old Philip in place of the "painted puppy" she has received. (wikipedia.org)
About the author: Georgette Heyer (16 August 1902 - 4 July 1974) was an English novelist and short-story writer, in both the Regency romance and detective fiction genres. Her writing career began in 1921, when she turned a story conceived for her ailing younger brother into the novel The Black Moth. In 1925 Heyer married George Ronald Rougier, a mining engineer. The couple spent several years living in Tanganyika Territory and Macedonia before returning to England in 1929. After her novel These Old Shades became popular despite its release during the General Strike, Heyer determined that publicity was not necessary for good sales. For the rest of her life she refused to grant interviews, telling a friend: "My private life concerns no one but myself and my family."
Heyer essentially established the historical romance genre and its subgenre Regency romance. Her Regencies were inspired by Jane Austen. To ensure accuracy, Heyer collected reference works and kept detailed notes on all aspects of Regency life. Whilst some critics thought the novels were too detailed, others considered the level of detail to be Heyer's greatest asset. Her meticulous nature was also evident in her historical novels; Heyer even recreated William the Conqueror's crossing into England for her novel The Conqueror.
Beginning in 1932 Heyer released one romance novel and one thriller each year. (See List of works by Georgette Heyer.) Her husband often provided basic outlines for the plots of her thrillers, leaving Heyer to develop character relationships and dialogue so as to bring the story to life. Although many critics describe Heyer's detective novels as unoriginal, others such as Nancy Wingate praise them "for their wit and comedy as well as for their well-woven plots".
Her success was sometimes clouded by problems with tax i