Routledge Companion to Research in the Arts
Routledge Companion to Research in the Arts
Contributions are located in the contemporary intellectual environment of research in the arts, and more widely in the universities, in the strategic and political environment of national research funding, and in the international environment of trans-national cooperation and communication. The book is divided into three principal sections - Foundations, Voices and Contexts - each with an introduction from the editors highlighting the main issues, agreements and debates in each section.
The Routledge Companion to Research in the Arts addresses a wide variety of concepts and issues, including:
the diversity of views on what constitutes arts-based research and scholarship, what it should be, and its potential contribution
the trans-national communication difficulties arising from terminological and ontological differences in arts-based research
traditional and non-traditional concepts of knowledge, their relationship to professional practice, and their outcomes and audiences
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Contributions are located in the contemporary intellectual environment of research in the arts, and more widely in the universities, in the strategic and political environment of national research funding, and in the international environment of trans-national cooperation and communication. The book is divided into three principal sections - Foundations, Voices and Contexts - each with an introduction from the editors highlighting the main issues, agreements and debates in each section.
The Routledge Companion to Research in the Arts addresses a wide variety of concepts and issues, including:
the diversity of views on what constitutes arts-based research and scholarship, what it should be, and its potential contribution
the trans-national communication difficulties arising from terminological and ontological differences in arts-based research
traditional and non-traditional concepts of knowledge, their relationship to professional practice, and their outcomes and audiences
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