The Savage Instinct

The Savage Instinct - Marjorie Deluca

The Savage Instinct


"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

In the lineage of Margaret Atwood's Alias Grace, The Savage Instinct is the chilling story of one woman's struggle for her sanity, set against the backdrop of the arrest and trial of Mary Ann Cotton, England's first female serial killer.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.

Citeste mai mult

-10%

90.58Lei

100.64 Lei

Sau 9058 de puncte

!

Fiecare comanda noua reprezinta o investitie pentru viitoarele tale comenzi. Orice comanda plasata de pe un cont de utilizator primeste in schimb un numar de puncte de fidelitate, In conformitate cu regulile de conversiune stabilite. Punctele acumulate sunt incarcate automat in contul tau si pot fi folosite ulterior, pentru plata urmatoarelor comenzi.

Livrare in 3-5 saptamani

Descrierea produsului


"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

In the lineage of Margaret Atwood's Alias Grace, The Savage Instinct is the chilling story of one woman's struggle for her sanity, set against the backdrop of the arrest and trial of Mary Ann Cotton, England's first female serial killer.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
"DeLuca keeps readers guessing. Minette Walters fans will be pleased." --Publishers Weekly (starred review)

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.
A fascinating portrayal of womanhood in Victorian England that is also a nail-biting thriller that will keep readers riveted until the very last page. --Booklist

Perfect for fans of Margaret Atwood's Alias Grace and Hannah Kent's Burial Rites, this taut psychological thriller offers a delicious take on deviant and defiant Victorian women in a time when marriage itself was its own prison.

England, 1873. Clara Blackstone has just been released after one year in a private asylum for the insane. Clara has two goals: to reunite with her husband, Henry, and to never--ever--return to the asylum. As she enters Durham, Clara finds her carriage surrounded by a mob gathered to witness the imprisonment of Mary Ann Cotton--England's first female serial killer--accused of poisoning nearly twenty people, including her husbands and children.

Clara soon finds the oppressive confinement of her marriage no less terrifying than the white-tiled walls of Hoxton. And as she grows increasingly suspicious of Henry's intentions, her fascination with Cotton grows. Soon, Cotton is not just a notorious figure from the headlines, but an unlikely confidante, mentor--and perhaps accomplice--in Clara's struggle to protect her money, her freedom and her life.

Citeste mai mult

Detaliile produsului

De pe acelasi raft

Parerea ta e inspiratie pentru comunitatea Libris!

Noi suntem despre carti, si la fel este si

Newsletter-ul nostru.

Aboneaza-te la vestile literare si primesti un cupon de -10% pentru viitoarea ta comanda!

*Reducerea aplicata prin cupon nu se cumuleaza, ci se aplica reducerea cea mai mare.

Ma abonez image one
Ma abonez image one