Tibetan Manuscripts and Early Printed Books, Volume I: Elements

Tibetan Manuscripts and Early Printed Books, Volume I: Elements
Winner of the Toshihide Numata Book Award in Buddhism of the Center for Buddhist Studies at the University of California, Berkeley In Tibetan Manuscripts and Early Printed Books, Volume I, Matthew T. Kapstein and an international team of specialists provide a comprehensive introduction to the material and aesthetic features of the wide range of Tibetan books, described in detail and illustrated with copious full-color photographs. With a documented history of over thirteen centuries, Tibetan books have long served as a medium of culture and learning throughout Central and East Asia. Major collections of Tibetan manuscripts and printed books--for Tibetan works were put into print even before the age of Gutenberg--are found in libraries and museums far from the traditional centers of Tibetan learning. Yet the history, production, and design of these works remain poorly understood. Topics covered in volume I include the manufacture of paper and ink, format and layout, scripts and scribal conventions, illumination and decoration, woodblock printing, book storage, preservation, and the use of contemporary digital technologies for th
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Winner of the Toshihide Numata Book Award in Buddhism of the Center for Buddhist Studies at the University of California, Berkeley In Tibetan Manuscripts and Early Printed Books, Volume I, Matthew T. Kapstein and an international team of specialists provide a comprehensive introduction to the material and aesthetic features of the wide range of Tibetan books, described in detail and illustrated with copious full-color photographs. With a documented history of over thirteen centuries, Tibetan books have long served as a medium of culture and learning throughout Central and East Asia. Major collections of Tibetan manuscripts and printed books--for Tibetan works were put into print even before the age of Gutenberg--are found in libraries and museums far from the traditional centers of Tibetan learning. Yet the history, production, and design of these works remain poorly understood. Topics covered in volume I include the manufacture of paper and ink, format and layout, scripts and scribal conventions, illumination and decoration, woodblock printing, book storage, preservation, and the use of contemporary digital technologies for th
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