Moldy Strawberries: Stories

Moldy Strawberries: Stories - Caio Abreu

Moldy Strawberries: Stories

Caio Fernando Abreu (b. 1948) was one of the most influential Brazilian writers of the 1970s and 80s, despite his work remaining underrecognized outside of Brazil. The author of 20 books, including 12 story collections and two novels, he has been awarded major literary prizes. During the military dictatorship in Brazil (1964-1985), his homoerotic writing was heavily censored and he was soon put on a wanted list, finding refuge in the literary counterculture and eventually by going into self-exile in Europe. In 1994, while living in France, he tested HIV positive. He died two years later in his hometown. He was 47 years old.

Bruna Dantas Lobato was born and raised in Natal, Brazil. A graduate of Bennington College, she received her MFA in Fiction from New York University and is currently an Iowa Arts Fellow and MFA candidate in Literary Translation at the University of Iowa. Her stories, essays, and translations have appeared in The Kenyon Review, Harvard Review, A Public Space, BOMB, and elsewhere.

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Caio Fernando Abreu (b. 1948) was one of the most influential Brazilian writers of the 1970s and 80s, despite his work remaining underrecognized outside of Brazil. The author of 20 books, including 12 story collections and two novels, he has been awarded major literary prizes. During the military dictatorship in Brazil (1964-1985), his homoerotic writing was heavily censored and he was soon put on a wanted list, finding refuge in the literary counterculture and eventually by going into self-exile in Europe. In 1994, while living in France, he tested HIV positive. He died two years later in his hometown. He was 47 years old.

Bruna Dantas Lobato was born and raised in Natal, Brazil. A graduate of Bennington College, she received her MFA in Fiction from New York University and is currently an Iowa Arts Fellow and MFA candidate in Literary Translation at the University of Iowa. Her stories, essays, and translations have appeared in The Kenyon Review, Harvard Review, A Public Space, BOMB, and elsewhere.

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