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Performance Research Methods: Interdisciplinary Methods for Theatre, Dance and Performance Studies

De (autor): Liesbeth Groot Nibbelink

Performance Research Methods: Interdisciplinary Methods for Theatre, Dance and Performance Studies - Liesbeth Groot Nibbelink

Performance Research Methods: Interdisciplinary Methods for Theatre, Dance and Performance Studies

De (autor): Liesbeth Groot Nibbelink

Karreman, Laura: - Laura Karreman is an Associate Professor in Media and Performance Studies in the Department of Media and Culture Studies at Utrecht University, the Netherlands. She teaches in the MA program Contemporary Theatre, Dance and Dramaturgy and the Research MA Media, Art and Performance Studies (MAPS). She is also the programme coordinator of the MAPS programme. She researches the role of embodied knowledge in dance transmission practices, the role of digitization in performance archives, and epistemological questions that relate to new notions of performance knowledge emerging from developments in the area of AI and Human-Robot interaction. Her PhD dissertation, "The Motion Capture Imaginary: Digital Renderings of Dance Knowledge" (Ghent University, 2017), examined how dancing bodies are reimagined through emerging practices and applications involving motion capture and other digital capturing technologies. Within the research group Transmission in Motion of the Department of Media and Culture Studies (UU), she relates to topics such as dramaturgy, somatechnics and mobilizing the archive. In her current research she continues to investigate the rapid growth of motion capture as a tool for movement research and animation in order to critically evaluate the cultural and ethical implications of such practices, which now often remain invisible. She is co-editor of the volume Performance and Posthumanism: Staging Prototypes of Composite Bodies (Palgrave Macmillan 2021). Other recent publications include the book chapters "Breathing Matters: Breath as Dance Knowledge" in Futures of Dance Studies (The University of Wisconsin Press, 2020) and "How does motion capture mediate dance?" in Contemporary Choreography: A critical reader (Routledge, 2017), and a chapter on "Cultural Dreams of Datafied Bodies" in the Routledge Companion on Performance and Technology (forthcoming). In 2024, she was conference director of the 9th International Conference on Movement and Computing (MOCO) at Utrecht University.
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Karreman, Laura: - Laura Karreman is an Associate Professor in Media and Performance Studies in the Department of Media and Culture Studies at Utrecht University, the Netherlands. She teaches in the MA program Contemporary Theatre, Dance and Dramaturgy and the Research MA Media, Art and Performance Studies (MAPS). She is also the programme coordinator of the MAPS programme. She researches the role of embodied knowledge in dance transmission practices, the role of digitization in performance archives, and epistemological questions that relate to new notions of performance knowledge emerging from developments in the area of AI and Human-Robot interaction. Her PhD dissertation, "The Motion Capture Imaginary: Digital Renderings of Dance Knowledge" (Ghent University, 2017), examined how dancing bodies are reimagined through emerging practices and applications involving motion capture and other digital capturing technologies. Within the research group Transmission in Motion of the Department of Media and Culture Studies (UU), she relates to topics such as dramaturgy, somatechnics and mobilizing the archive. In her current research she continues to investigate the rapid growth of motion capture as a tool for movement research and animation in order to critically evaluate the cultural and ethical implications of such practices, which now often remain invisible. She is co-editor of the volume Performance and Posthumanism: Staging Prototypes of Composite Bodies (Palgrave Macmillan 2021). Other recent publications include the book chapters "Breathing Matters: Breath as Dance Knowledge" in Futures of Dance Studies (The University of Wisconsin Press, 2020) and "How does motion capture mediate dance?" in Contemporary Choreography: A critical reader (Routledge, 2017), and a chapter on "Cultural Dreams of Datafied Bodies" in the Routledge Companion on Performance and Technology (forthcoming). In 2024, she was conference director of the 9th International Conference on Movement and Computing (MOCO) at Utrecht University.
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