Transoceanic Blackface: Empire, Race, Performance
De (autor): Kellen Hoxworth
Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the US and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques.
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Tracing intertwined histories of racialized performance from the mid-eighteenth through the early twentieth century across the US and the British Empire, this study maps the circulations of blackface repertoires in theatrical spectacles, popular songs, visual materials, comic operas, closet dramas, dance forms, and Shakespearean burlesques.
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